Statements

“My marbling monotypes are born from a reverence for the ancient Japanese art of suminagashi—floating ink—where movement, stillness, and impermanence intersect on the surface of water. This centuries-old technique has evolved in my practice into a contemporary ritual: large-scale pigment compositions formed atop swimming pools and natural bodies of water, shaped by breath, wind, and intention.

Each piece is both a collaboration with the elements and an extension of the body’s own rhythms. Through breath work and mindfulness, I guide floating pigment mixtures across the surface until the image settles—a fleeting moment of balance captured before the water reshapes itself. These works are not merely abstract—they are records of presence, consciousness, and surrender.

By scaling up the traditional process, I invite the physical environment to participate: sunlight, temperature, and water currents all influence the final imprint. The result is a meditation made visible—echoes of the inner world expressed through fluid forms. This practice connects ancient meditative craft with contemporary explorations of ecology, embodiment, and the sacred nature of process.”

“My plein air paintings are rooted in a deep connection to the shores of Long Island, where land meets water in an ever-changing dance of light, color, and motion. Painting outdoors allows me to engage directly with the rhythm of the coast—responding in real time to the shifting clouds, salt air, and, most importantly, the constant movement of the water. Whether it’s the gentle lapping of a bay or the crashing of ocean waves, I aim to capture the fluid energy that defines these landscapes.

Water, to me, is more than a subject—it is a presence. It represents change, reflection, and the breath of the Earth. In each brushstroke, I seek to echo the pulse of the tides and the emotional resonance of being near water. Painting en plein air becomes a form of immersion, a practice of attunement to the subtle dialogue between sky, sea, and shore. These coastal spaces are not just scenic—they are sacred, vulnerable, and alive.

Through these works, I explore both the beauty and fragility of Long Island’s coastlines, capturing fleeting moments of harmony and tension. They are a testament to my ongoing relationship with water as a source of inspiration, grounding, and creative flow.”

“My abstract landscapes are portals—vivid, layered expressions of inner and outer worlds colliding. Rooted in the tradition of landscape painting but transformed through a psychedelic lens, these works dissolve boundaries between perception and imagination. I use saturated color, multiple horizons, and translucent layering to create dreamlike spaces where reality is expanded, fractured, and reassembled.

Inspired by the natural world but unconstrained by it, these paintings explore the feeling of place rather than its literal form. They reflect the way memory, emotion, and altered states of consciousness can reshape how we experience the landscape. Time and space stretch and bend; skies fold into ground; one horizon gives way to another. Each piece is a constructed journey—simultaneously grounded and otherworldly.

This series allows me to explore the intersection of ecology and consciousness, where nature becomes a mirror for the mind’s fluidity. Through color and form, I invite viewers into spaces that vibrate with life, mystery, and transformation—places that ask not only where are we, but how are we seeing?”

“My digital prints are explorations of symmetry, energy, and visual consciousness—vibrating between the cosmic and the cellular. Rooted in my physical marbling practice, each piece begins with floating pigments—unpredictable, organic movements captured in water—then mirrored and refined digitally. Through this transformation, I create vivid, layered compositions that evoke both natural phenomena and psychedelic inner landscapes.

This process allows me to merge intuitive, hands-on creation with the precision of digital tools. I’m drawn to bold, electric colors—fiery oranges, deep purples, electric blues—that pulse with a sense of life and motion. By repeating and reflecting these fluid patterns, I explore how the mind searches for order in chaos, and how symmetrical forms can evoke a sense of balance, spirituality, or altered perception.

For me, these prints function as portals—meditative spaces that reflect the interconnectedness of nature, technology, and consciousness. They speak to my fascination with pattern recognition, visual vibration, and the way energy can be felt through color and form. In blending traditional material processes with digital techniques, I aim to create work that is both grounded and expansive—anchored in the physical but reaching toward the metaphysical.”